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Architecture --- Greek revival (Architecture) --- Architecture, Greek --- Neoclassicism (Architecture) --- Architectural orders --- Orders, Architectural --- Orders --- Architecture - Orders --- Greek revival (Architecture) - United States --- Néo-grec (architecture) --- Ordres. --- Orders.
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Chimneys --- Greek Revival (Architecture) --- Architecture, Roman --- Early works to 1800. --- Etruscan influences
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Greek revival (Architecture) --- Architecture, Modern --- Architecture --- Art, Architecture & Applied Arts --- Architecture, American --- Architecture, Greek --- Neoclassicism (Architecture) --- History
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Architecture and society --- -Greek revival (Architecture) --- -Architecture, Greek --- Neoclassicism (Architecture) --- Architecture --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- History --- -History --- -Social aspects --- Human factors --- United States --- Social life and customs --- -Architecture and society --- Greek revival (Architecture) --- -United States --- Architecture, Greek --- Social aspects
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Alexander 'Greek' Thomson is at last being recognised as an architect of genius, comparable in stature to Charles Rennie Mackintosh. Now in paperback, this is the first book in which a team of distinguished architectural commentators and historians use the latest research in the area to illuminate the full range of Thomson's talents. Thomson emerges not just as a great architect, but as a towering intellect whose theory and practice synthesised the best thought of his time in architectural history, aesthetic philosophy and, not least, theology. His ventures into urban planning are explored, and his approaches to façade design and interiors are examined in detail, while rare colour plates complete a portrait which brings this outstanding architect to life. With an Introduction by the late Sir John Summerson this volume celebrates the work of arguably the greatest exponent of the Greek Revival.
Architects --- Architecture, Modern --- Greek revival (Architecture) --- Art, Architecture & Applied Arts --- Architecture --- Architecture, Greek --- Neoclassicism (Architecture) --- Modern architecture --- Professional employees --- Glasgow. --- Thomson, Alexander, --- Thomson, Greek, --- Greek Thomson, --- Criticism and interpretation. --- Glasgow (Scotland) --- Glasgow --- Glaschu (Scotland) --- Glasgow (Strathclyde) --- Glasgo (Scotland) --- Buildings, structures, etc. --- ARCHITECTURE / Individual Architects & Firms / General.
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Designing Paris explores the revolution in French architecture that began around 1830 under the leadership of Flix Duban, Henri Labrouste, Louis Duc, and Lon Vaudoyer. It shows how these four architects dominated their profession during the Monarchy of July and the Second Empire of Napoleon III, producing works of elasticity and brilliance not often associated with modern notions of the French Classical tradition, works in which they sought simultaneously to trace the historical evolution of architecture and to explore rational innovations in structure. This reconciliation of historicism and rationalism, Van Zanten observes, bore fruit in the design and construction of public monuments of great individuality, subtlety, and complexity. These became the generative elements of the city of Paris itself as it was transformed during the middle of the nineteenth century, giving rise to the ""Beaux-Arts"" system of training and design that spread from Paris to the world at large, and to the professional definition of the architect as a public servant. The buildings from the years of the Monarchy 6 of July (1830-1848) that are discussed and illustrated in detail are Duban's designs for the Ecole des Beaux-Arts, Labrouste's Bibliothque Sainte-Genevive, and Vaudoyer's Conservatoire des Arts et Mtiers. Three of the monuments that were erected during the Second Empire of Napoleon III (who was overthrown in 1870) are the subject of the book's final chapters: Vaudoyer's Marseilles Cathedral, the only cathedral erected in France in the nineteenth century; Duc's Palais de justice on the Ile de la Cit, one of the centerpieces of Haussmann's Paris; and Labrouste's Bibliothque Nationale, widely regarded as the most conceptu ally innovative work of this generation. Designing Paris discusses the professional, political, and cultural contexts of these great public monuments and examines their relation to the works of such figures as Charles Gamier and Eugene-Emmanuel Viollet-le-Duc.
Neoclassicism (Architecture) --- Greek revival (Architecture) --- Architecture --- Néoclassicisme (Architecture) --- Néo-grec (Architecture) --- History --- Histoire --- Paris (France) --- Buildings, structures, etc --- Constructions --- -Neoclassicism (Architecture) --- -Architecture --- -Paris --- Parijs --- 72.03 --- 72.035 --- Duban, Félix --- Labrouste, Henri --- Duc, Louis --- Vaudoyer, Léon --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Architecture, Classical --- Architecture, Modern --- Classicism in architecture --- Revival movements (Art) --- Architecture, Greek --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- 19de eeuw (architectuur) --- Negentiende eeuw (architectuur) --- Design and construction --- -Buildings, structures, etc --- Buildings, structures, etc. --- Néoclassicisme (Architecture) --- Néo-grec (Architecture) --- Paris --- History. --- Architecture, Primitive --- Architecture, 1800-1914 --- ARCHITECTURE/Urban Design
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